2. McDonald's has these really tasty blueberry cream pies right now. Carla loves the strawberry ones, too, and has gotten them a bunch, but while I thought those were okay, I wasn't super into them. But these blueberry ones are so good! And it's weird, because I usually like strawberry more than blueberry, but idk. The blueberry one is so much better.
3. Everybody loves this box so much. It's got nice flaps to make you feel hidden, and rustly paper inside to play with. Just the best box. Three out of three kitties recommend.
I'll also get in a little Steve Jackson Games business, but the primary focus of the journey is seeking information that should help a lot as I work on a new book project. Over the last four years, I've published eight books about toys - and a ninth book is at print right now - and getting time for these personal projects helps me stay sane as I push office projects forward. We all need an outlet, right? Is it my fault that my form of stress relief involves work of a different sort?
– Phil Reed
Warehouse 23 News: A Zoo For You
Add all sorts of animals to your GURPS Third Edition game with GURPS Classic: Bestiary. Download this magnificent menagerie today, only from Warehouse 23!
Cotton Jenny | I'm Gonna Hire a Wino | Out of the Frying Pan (And into the Fire) | Delta Dawn | Lady Takes the Cowboy Every Time | Cruel Summer | Stay Young | Good Vibrations | Nobody | Boys of Summer
( And one I associate with summer both because of how I first heard it and the contents )Meme list
2. I spoke with the insurance claim person today and she said that it sounded like since we were both backing up, it would be a 50/50 thing, which would mean our insurance wouldn't go up and we would be liable for half the deductible. So, possibly still have to pay a lot in car repairs, depending on how much it costs to repair the damage, but it could be worse.
3. Look at this fluffy Chloe tum! She just loves the tummy scritches. :)
White Wolf was a titan of roleplaying in the 1990s and the early years of this century and its impact is still being felt in today's generation of RPGs.
I'm racing to get this news queued before midnight, and I'm sure we will have more to say about this next week. Stewart deserves more than this brief obituary.
SJ Games extends our sympathy to the Wieck family, to all who knew Stewart, and to the thousands of fans of his work over the last 25-plus years.
– Andrew Hackard
Warehouse 23 News: We Sell "See" Spells
Discover how to sense danger, detect poison, or set up a magical "watchdog" with GURPS Sorcery: Protection and Warning Spells. This supplement contains 38 new spells for GURPS Thaumatology: Sorcery. Make your games more magical today with this great download, only from Warehouse 23.
Tickets for the show are $20 for adults and $5 for Caltech students and children. You can order them on the phone by calling the Caltech Ticket Office at (626) 395-4652. Online tickets are available here. You can avoid the service charge by purchasing tickets at the door on the night of the show or by visiting the Ticket Office in person at the Caltech Ticket Office in their new location at 1200 E. California Boulevard in Pasadena (Southeast corner of Wilson Avenue.) Their usual hours are 9AM - 4PM, Monday through Friday.
If you’ve been following this blog, you may be thinking that I haven’t read much about India lately. On the contrary! I’ve been reading plenty, but a lot of it is pretty dry.
The exception is Tales of the Ten Princes (Daśa Kumāra Carita), by Daṇḍin, which I just finished. Your first question will undoubtedly be, why isn’t it Daśa Kumārāḥ, in the plural? Or even Daśānām Kumārāṇām, in the plural genitive? I’m pretty sure it’s because the title is a compound, i.e. Daśakumāracarita (दशकुमारचरित), and only the last root in a compound is declined.
Daṇḍin lived in Kāñcī, in the Tamil region, sometime around 700. He’s also known for a work on literary stylistics, Kāvyādarśa. In that work he describes two ways of writing Sanskrit, the simpler style of the south, and the ornate style of the east. Ten princes is written mostly in the simpler style; perhaps to show his mastery of the ornate style, Daṇḍin also wrote a work (unfortunately lost) which, making use of the amazing number of synonyms in classical Sanskrit, is a simultaneous recounting of both the Rāmāyaṇa and the Mahābhārata.
So, on to the Princes. It’s basically a set of short stories linked by a framing device. In the frame, the king Rājahaṃsa loses his kingdom and escapes to a forest. However, his wife is pregnant, and there is a prophecy that the child will restore the kingdom. The boy grows up to be Rājavāhana, hero of the story. He grows up in the forest, and in a quick sequence, is joined by nine companions— sons of ministers as well as kings’ sons conveniently mislaid in the forest.
They grow up into strapping young lads, and finally go out seeking conquests. Almost immediately Rājavāhana is invited into a quest in the netherworld. His companions separate and wander all over India seeking him. In each of the stories a prince comes to a city, falls in love, and by various manners becomes a king. Finally they all find each other and each narrates his story. Then, of course, Rājavāhana regains his kingdom with their help, in effect becoming emperor, with his friends as kings under him.
The stories are short, unlikely, and a lot of fun. They’re picaresque— indeed, many are cheerfully amoral. Though Rājavāhana himself is heroic, not a few of the princes resort to fraud, murder, or theft. It’s a good corrective if, like me, you’ve been reading rather a lot about Indian religions. There’s a whole lot of kāma (love) and plenty of artha (ambition), only a minimum of dharma (righteousness).
For example, the predicament of the prince Mantragupta is that his beloved, the princess Kanakalekhā, has been taken in a raid by the king of a neighboring land, Jayasiṃha. The princess pretends to be possessed by a yakṣa (a type of demon), but this will only put off the king temporarily.
Mantragupta finds a way, however. He goes to the king’s city and pretends to be a powerful ascetic, one who knows all the Vedas, can cure all illnesses, and has supernatural powers. Jayasiṃha is taken in; he comes to see the sage and asks for help with the yakṣa–ridden maiden. Mantragupta agrees to help: the king must merely bathe in a certain pool, and he will be transformed into a body which the girl will find irresistible. He must have his army secure the pool first, of course. The king agrees. (However unlikely the strategies proposed in this book, the other characters invariably go along.)
But Mantragupta has previously made a secret recess in the pool which has an underwater exit. When the king comes and waits in the water, Mantragupta comes out, strangles him, and hides the body in the recess. He comes out, pretending to be the king in his new body. He rescues his princess and enjoys his new kingdom.
In another chapter, there’s an amusing passage where a king’s friend give him advice that is exactly contrary to Kauṭilya or Manu. E.g., one of the traditional sins of kings was gambling. The friend gives this advice:
Gambling too has merits. The renunciation of quantities of wealth, as if it is no more than straw, gives an incomparable liberality of the temperament. The uncertainty of gain or loss makes the heart impervious to joy or sorrow. The capacity increases for wrath, the prime fount of valor. The observation of exceedingly subtle legerdemain with dice and sleights of hand provides an infinite sharpness to the intellect. Concentration on one subject assures an exceptional single-mindedness. Delight increases in daring, the companion of enterprise. Competition with the strong-minded makes for self-confidence, indomitability and magnanimity.
Of course the king is being led to his doom, but the extended argument makes for a nice parody of moralistic authors.
Similarly playful: one chapter is told without any labial consonants, as the narrating prince has a sore lip, from too much lovemaking. Take that, Georges Perec! (The translator doesn’t even attempt this in English, though Wikipedia suggests that another recent translation does.)
Most of the princes fall in love at first sight with a woman, and this is always reciprocated. One, indeed, gets the woman to fall in love by sending her a portrait of himself. This gives Daṇḍin the chance to grow effusive over the women. As one prince says:
All the limbs of this maiden are pure in complexion and without any blemish. They are neither too gross nor too meagre, not too long or too short. The inner sides of her fingers are pink, and the palms of her hands bear many auspicious signs like the barley grain, the fish, the lotus, and the jar. Her ankles are even. Her feet are plump and unmarked by veins. Her well-rounded calves so merge into ample thighs that the knees are hardly noticeable. The bottom is smooth, perfectly divided, beautifully dimpled and round as a wheel. The navel is small, a little low and deep. A triple line adorns the abdomen. A large bosom with upturned nipples covers the breast. The shoulders slope smoothly into supple arms. The fingernails have the fine gloss of gems. The fingers are tapering, soft, and copper-hued.
Her neck is slender and graceful like a conchshell. Her face is like a lotus flower, with lips red and rounded, nose like a flower bud, handsome chin and shapely temples. Her forehead shines like the crescent moon and her wavy hair like a line of sapphires. Her dark eyebrows are arched and well-separated, and her eye are bright and wide with a glance both merry and languorous. Her ears are ornamented only with loops of pale lotus sets. Her abundant hair is dark and fragrant and simply dressed.
It’s interesting to compare this description with temple statues, which depict the same kind of very curvy body.
One prince finds that his lover is already married, producing an ethical dilemma:
My purpose is almost accomplished, but sleeping with another’s wife will hurt dharma. However, the compilers of the scriptures permit this if both artha and kāma are attained at the same time. I am committing this transgression to free my parents from jail. That should neutralize any sin, and may also reward me with some fraction of dharma.
Fortunately for him, Ganeśa himself appears in a dream and tells him to proceed.
About the only negative to these stories is that they’re almost weightless. The characters are vivid and range from princes to ascetics to thieves to courtesans to Jain monks to Greek sailors to jungle warriors, the plots are amusing, but it’s hard to remember them an hour later. And the cities, though they’re scattered all over India, the cities all melt together. But these are tales built to entertain, and they still do, 1300 years later.
If you do pick this up, try to get the modern translation by Aditya N. D. Haksar.
Christmas at Ground Zero | One Tin Soldier | Two of Us | Threes | Wind's Four Quarters | Five Years | Six Days on the Road | Seven Year Ache | 867-5309 | 9 to 5 | At Seventeen | 50 Ways to Leave Your Lover | '65 Love Affair | 88 Lines about 44 Women | 99 Luftballons ...
Wow, there's a lot of mopey in that list. I should pick something that's a bit more perky.
( One bouncy cheerful number song, coming up. )
2. I got in a car accident on the way home, which sucks a whole lot, but it was on the minor side of accidents, so I'm trying to keep positive about that. There's only a little bit of bumper damage to my car and the other car and no one was hurt. (I had just pulled in a parking space and was readjusting my parking, and the other person was pulling out of her space opposite me, and...crunch.) I'm hoping the repairs don't cost too much, are covered by the insurance, and don't make my payments go up too high. *crosses fingers*
Which was your favorite card to draw for Munchkin Spell Skool?
– Hunter Shelburne
Warehouse 23 News: Munchkin In Vinyl